The Sound of the Universe Part 3: Material Resonance.

With this new article we combine our analysis of abstract resonance with that pertaining to physical objects and the energetic-resonant aspects of the visible world as we know it. To establish the premise of the use of the word " matter ", this writing does not use it in its scientific meaning (" the substance of which physical objects are composed "), but in the simple sense as the " physical objects " themselves that They have weight and take up space. In this sense, we depart from the scientific perspective that tries to strictly define the subject.

Remember that our basic approach is unscientific and more spiritual.

The matter around us is as resonant as any other universal component. Remembering that everything is in The All, matter turns out to be a particular portion of the universal vibratory system and is particularly the energy that can be seen, except for light.

This vibratory strip is part of the so-called “ electro-magnetic spectrum ” (wave) called “l to electromagnetic radiation emitted or absorbed by a substance ”.

These energy regions can be observed and measured by spectroscopes to determine their wavelength, frequency and intensity of radiation. In the visible part of the spectrum (of the light) there is gamma, X, ultraviolet, infrared, etc. radiation, each of different intensity or frequency.

In simple terms, the resonant vibration of energy includes regions whose intensities (frequencies) are low enough to be captured by the human eye. These vibrational regions define for us the states of density of matter : the slower the vibration, the more solid (compact, dense) the matter; The faster the vibration, the more ethereal it is.

The density of matter (gaseous, liquid and solid) depends on the force exerted by its atomic junction . Atoms are vibratory units that naturally and artificially group together more or less easily with each other to form the molecules that form matter. In matter composed of several types of atoms, the strength of its chemical bond helps to define its density. For example: joining 2 atoms of carbon, 6 of hydrogen and 1 of oxygen produces ethanol, with a density of 0.81 grams per cubic centimeter; the bond of 2 atoms of hydrogen and one of oxygen produces water, with a density of 1 gram per centimeter centimeter; and gold (monoatomic) has a density of 19.3 grams per cubic centimeter.

The curious thing about the matter is that today it can be observed externally and internally, in both cases presenting very different qualities. Externally we see and touch solid objects that appear to be totally compact, physically impenetrable and totally inert. Internally we see that objects are porous because they are made up of atoms linked together that, far from being dead matter, are in continuous motion showing a kind of life Another paradox is that the chemical-atomic aggregate of matter has the slowest external vibration (resonance) that we find in the universe while its basic components (the atoms) ) maintain a high individual vibration rate.

The physical-energetic-resonant qualities of matter are also reflected in the form of sound, color and sensations from objects . For example, metallic objects emit a sound, a color and a subtle quality different from those made of wood. Based on these various qualities, devices have been invented to accurately detect different substances, such as the Geiger counter, which perceives gamma, beta and some alpha models as well.

Each specific metal, each specific wood, has its own tone, color and individual subtlety. If we add to this set of qualities the size of each object, as well as its design complexity (geometrical shape, height, width, length, etc.), we will have a better idea of ​​the resonant properties of each thing .

To the physical qualities of objects we must add their subtle qualities . The resonant energy emitted by each object is perceived by the human being, although we usually do not notice it. Most of us know when an object pleases us with just seeing it, and we immediately feel the urge to touch it. Making contact with the object becomes a sample of its resonance ; The affinity between the resonance of these and of us is inadvertently corroborated in this way. Let's think for a moment about everything that surrounds us in the physical plane and how much of this influences our living at every moment. The objects that we have in our home and how we have them placed, all the matter that surrounds us in the space in which we move and in the places that we frequent (for work, study, entertainment, etc.), everything, absolutely everything It affects us for better or worse.

Dowsing

There are ways to know how our surroundings are affecting us. One of these forms is the R adiestesia ( activity that is based on the affirmation that the electrical, electromagnetic, magnetism and radiation stimuli of an emitting body can be perceived and, sometimes, managed by a person by means of simple artifacts kept in unstable suspension such as a pendulum, "L" rods, or a fork that supposedly amplify the human being's ability to magnetorreceptive ). Although Dowsing has been listed as " pseudoscience " by academic systems, we cannot rule it out completely without analyzing its logical elements . It is true that in general terms many practitioners of the R adesthesia have wanted to present it as a science, even if it is not limited to the current established scientific method. However, no philosophical, spiritual or religious system has been able to do so.

We have the case, for example, of the Spiritism, which many of its followers have also wanted to give the surname " scientific ", but in explaining this meaning they simply call it " a Science of Conservation ." Such a nomenclature falls short in the 21st century, because today scientific experimentation is based on two foundations:

1) R eproducibility: ability to repeat a given experiment anywhere and by any person.

2) F alsability: ability of a theory to undergo all tests that claim to show its falsehood.

Reproductibility requires public evidence to support a hypothesis and the absolute certainty of always obtaining the same results. F alsability requires making sure that the results of the experiment cannot be logically explained by another method (the " hypothetical experimental deductive method ") different from the one proposed by its conclusions.

How many philosophies or spiritual systems can successfully submit to the filter demanded by science? In reality, none, because spiritual knowledge is in a different category from that of scientific knowledge .

The methods of checking spiritual knowledge come from evidence found in many cases by alternative methods that use the deepest regions of the human psyche . The certainty of intuition, clairvoyance and mediumship, for example, cannot be measured by dry, cold and calculated scientific formulas, especially under a scientific system that does not dare to recognize the ethereal (spiritual) qualities of being human although it has no logical explanations to refute them.

The R adiestesia has the particularity of directly depending on the resonant qualities of a sensitive person to probe, read and interpret subtle energies. This places this practice in two areas, the technical and the spiritual . The zahorí, or dowser, is as important as the implements used, something that is almost contrary to scientific practice. By means of Dowsing, the energy of the earth, of enclosed spaces, of food, of people and of almost any object can be qualified. By this means, for example, the experienced dowser can tell if the energy of a plot of land is favorable to housing or agriculture, if a particular apple is in a healthy state or where there is more accessible water in the subsoil.

On the other hand , human beings can become “radiesthetic” by exercising our internal capacities . Through " concentrated tracking " we can become more sensitive to the energies that surround us. There are people who are a challenge to science because they can perceive and analyze, some with surprising precision, the qualities of resonance.

These "human barometers" have generally reached that state with the direct help of meditation and the practice of "active observation ."

Mechanical resonance

This type of resonance is a phenomenon that occurs when an object is subjected to the action of another's resonance . Under normal circumstances related resonances produce harmonic energy conditions. However, in some cases where two objects vibrate at equal rates and the amplitude of resonance progressively increases the combined force, the effects can be dangerous. This classic effect was demonstrated in the commercials of television that showed the singer Ella Fitzgerald producing a tone so high that it broke a glass of glass.

Mechanical resonance is defined as " the tendency of an object to absorb more energy when its frequency is equal to the natural resonant frequency "

When the resonance of the singer's voice joins that of the crystal, the strength of the combined energy increases to the point that it becomes destructive and nature tends to eliminate one of the sources. There are classic cases that are commonly reported when mentioning this issue, such as the one of the bridge that collapsed due to the resonance produced by the synchronized march of troops during World War II and the collapse of the Tacoma Narrows Bridge (Washington State) in 1940 due to the aeroelastic vibration caused by the combination of the resonance of the structure and the wind that crossed it.

A simpler and less dangerous demonstration of mechanical resonance is seen when using two tuning forks of the same frequency . When one of these is hit and then approached the second, this other begins to vibrate spontaneously due to the vibratory waves generated by the first. When an object is subjected to the energy stimulus of another, part of the energy of the former naturally passes to the latter . If the vibrational resonance of both is in the same determined frequency, the energy absorption rate is said to be at its maximum. This can result in instability of the resonant system created and in many cases it can force a break in it.

The story also tells us the situation in which Serbian engineer Nikola Tesla at the beginning of the 20th century experimented with a mechanical oscillator in New York, emitting resonances of rising rates that shook several buildings. Upon reaching the resonance level of his own building the vibration was so strong that he had to deactivate the machine. This device was later colloquially called "the earthquake machine."

Resonant planets

Let's move from physical resonance to our planetary environment . The harmonic musical resonance mentioned in the previous article has been treated extensively, sometimes literally and sometimes allegorically in philosophy, in literature, in mysticism, etc. When Pythagoras spoke of the " music of the spheres, " he did it both literally and allegorically. However, Pythagoras was not the creator of this concept as believed, but took it from the esoteric knowledge that precedes it for millennia. Anyway , he was referring to the resonant vibration of each celestial body .

The resonance of each celestial body is the result of the combination of the resonance of all its visible and ethereal components, including atmospheric (weather), organic (mineral formation), flora (vegetation), biological (animal and human), etc. Therefore, each existing unit on the planet (for example, each person) contributes its individual vibrational resonance to the collective of the component to which it belongs, each component contributes its vibrational resonance to the planet, each planet contributes its own to its solar system and thus successively; Like each instrument of an orchestra, each celestial body, each component of it and each individual unit has a particular sound.

The universe being a harmonic field, the natural resonance of all the celestial bodies that compose it is harmonic like music. The astronomer Johannes Kepler included the concept of the music of the spheres in his treatise " Harmonices Mundi " published in 1619 . Keple R has perhaps been the scientist who has contributed most to this theme of universal harmony, linking a variety of topics that demonstrate universal resonance. In his work he discusses the harmony and congruence that appear in geometric shapes and physical phenomena . It explains extensively, among other things, the origin of harmonic proportions in music, the planetary relationships of astrology and deals with its discovery of harmony in the physical movement of planets . For Kepler the theme of the music of the spheres was more than a mere philosophical dissertation, since he found that the difference between the maximum and minimum angular velocities of the planets in their orbits around the Sun approximates a harmonic proportion . For example, the maximum angular velocity of the Earth (by distance as measured from the Sun) varies from the minimum by a measure equivalent to a semitone, at the rate of 16:15. However, Venus varies at an interval of 25:24 (diesi in music). Kepler goes further and says that the Earth, at its two angular ends, continuously sings the Mi-Fa-Mi notes and that all the planets emit their own songs. There he also tells us of the harmonic or inharmonic resonance formed by the aspectations (angles) formed between the planets at any given time and by their position in each zodiac sign. When astrology tells us, for example, that " Venus is exalted in Pisces " means that when that planet is going through such a constellation its resonant energy increases to its maximum and its effects are greater.

For Hinduism, the music of the spheres is synonymous with Sabda, the " audible flow of life ." Christian esotericism has referred to it as the " Second Heaven ." For his part, Max Heindel, forerunner of one of the Rosicrucian branches, explained that the music of the spheres is audible in one of the high regions of consciousness, specifically from the Region of Concrete Thought onwards. He wrote: “The musician has not reached a place where his art is expressed in its greatest extent. The physical world is the world of forms. The world of desire, where purgatory and the first heaven meet, is the world of color; but the world of thought, where the second and third heavens are located, is the sphere of tone. Celestial music is a fact and not merely a figurative mention. Pythagoras was not romance when he spoke of the music of the spheres, since each of the heavenly orbs has a definitive tone and together they sound a symphony ... echoes of that celestial music come to us here in the physical world ... although they cannot be created permanently like a statue, a painting or a book. ”

More recently, in 2006 the composer Greg Fox had the idea of ​​reproducing the sounds of the planets of our solar system at a level that could be clearly heard. Obviously he was faced by the obstacle that such frequencies are outside of human hearing . Considering that each octave has a frequency equivalent to twice its lowest predecessor, Fox had the idea of ​​continuously reducing the resonant frequency of each planet by half. The resulting tones were composed and the result was the work " Carmen de las spheres ".

Today the music of the spheres is no longer philosophical matter, but a perceptible reality. Fox has Carmen publicly available on the Internet to be heard and all the original data of her project for everyone to examine, remix, etc. What better way to experience universal resonance?

Schumann resonance

Our connection with the planet is more than a simple chimera. Science has been able to verify the existence of a resonant wave that links the Earth with all living beings, but more particularly with human beings. Such phenomenon is called Schumann Resonance, in honor of Dr. Winfried O. Schumann, professor of the Electrophysical Institute of Munich, Germany . Although this resonance had been detected and identified in 1902 by Oliver Heaviside, it was the German academic who was able to measure it for the first time as an exercise in one of his Physics classes.

Originally he calculated that this resonance vibrated naturally at 10 Hz (cycles per second), which places it at frequencies called ELF (extremely low). One of his students, Herbert Konig, was later able to set it at exactly 7.8 Hz .

How does this frequency tie us to the planet? It happens that this is the same frequency in which our brain vibrates when we are at rest resting blocking the visual stimuli with our eyes closed . Brain waves of this frequency correspond particularly to the hypothalamus, a gland that serves as an integrator of the central nervous system and regulates a variety of biological functions by controlling a wide range of hormones. The hypothalamus is also found in all mammals. Between the Earth's surface and the ionosphere a resonant cavity is formed full of impulses from the Earth's electromagnetic field. These impulses are excited by the electric discharges of the rays that scourge the Earth, a measurement that has been useful to keep a constant track of the activity of the rays throughout the world. Several scientists given to spiritual research have proposed that the Schumann Resonance could well be the root of the extrasensory perception that is innate of all living beings . They have delineated a parallel with the hologram model to explain that this resonance, in its interaction with everything around it, forms continuous interference patterns, with the new ones joining the existing ones and so on ad infinitum . In their models, these interference patterns transmit information-carrying energy, which results in a type of communication between all the components of the planet. Of course, any cause that influences one of the parties will have its effect, conscious or not, on the whole.

Because of its extensive presence, the Schumann Resonance has been called "the heartbeat of the planet" and is listed as a fundamental part of life on Earth as we know it. As human beings we depend on this resonance, which was originally evidenced by the first astronauts . During and after each space trip exceeding the limits of the mentioned cavity, the ionosphere, astronauts experienced serious health problems. Noting that they were missing the vital frequency of the planet, the problem was solved by installing on board their ships generating artificial frequencies of 7.8 Hz . Many other experiments have been performed by magnetically depriving Schumann Resonance to humans and animals. In fact, the amplified abilities in animals (and in some people) of feeling the imminence of natural disturbances are based on their ability to perceive Schumann Resonance . Through experimentation, heart problems, migraine, epilepsy and other physical and mental conditions have been linked to electromagnetic excitations caused especially by thunderstorms.

A resounding alarm has been sounded recently due to experiments that some governments, particularly that of the United States, are carrying out with the qualities of the ionosphere. The complex matrix of oscillating energy fields that is the Schumann Resonance, providing continuous harmonic pulsations between the Earth and the ionosphere that coordinate the functioning of terrestrial life, is endangered by (mostly military) research such as the High Frequency Research Program Activa Auroral, better known as HAARP, made in Alaska.

One of the basic functions of the ionosphere is to form the layer that protects us from the harmful radioactive rays that could destroy life on the planet. However, HAARP experiments are manipulating the qualities of the ionosphere in an attempt to obtain selective control of the weather in different parts of the Earth. This control would be used to " neutralize " geographical areas through induced atmospheric disturbances without having to go to war. On the other hand, since the Schumann Resonance is on the same frequency as the human brain, controlling it in certain parts of the planet could also provide control of the mental capacity of the inhabitants of the particular region.

As we see, the planetary cycles are repeated . There are many sources that indicate that in our remote past, in the cycle before the current one, the Earth was destroyed due to a technological advance that far exceeded the spiritual advancement of humanity . It is said that this imbalance led precisely to interfere with the natural processes of the planet, causing irreversible damage that was the catalyst for total destruction. Judging by our current situation, with the rampant felling of vegetation, the overwhelming emission of toxic gases and the contamination of water bodies, to mention just a few, we might think that the change signaled by the ancients for 2012 would be about to happen .

I hope you find this topic as interesting as me, and bring us a little closer to the doors of knowledge. We will continue to deepen it throughout successive articles.

SOURCE: “ Universal Resonance ” by Wallice de la Vega.